In many ways, Napoleon Dumas, French-born New Jersey cop, is the mirror image of my favourite Coben character, Myron Bolitar (who actually makes a two-line cameo in the book; cool). Mirrored because in some ways they are so alike, but in others so different. Both are loyal to a fault to their friends and family, and have an internal moral compass that isn’t going to change for anyone. Nap’s moral compass runs a little less true than Bolitar’s, however. And that makes all the difference.
Coben is the master of describing average, ordinary people’s lives thrown awry from one small minor incident and DON’T LET GO is no different. As usual, the characters and story are mostly solid. I did roll my eyes over the vastly over-used trope of high school lives ruined from casual recreational drug use.
SPOILER ALERT: it was refreshing to finally see a story where former high school sweethearts actually have a happy ending.